Blood and Chocolate

REVIEW
The werewolf genre has seen precious little invention lately; perhaps the Underworld series has something going for it with its mix of vampires and wolves. What seems to hobble films with lesser budgets are the digital or make-up effects that complete the human to wolf transformation. In Blood and Chocolate, this isn't a problem as real wolves are used throughout. This greatly enhances this film and adds a level of seriousness that might be absent otherwise. Vivian (Agnes Bruckner) is a girl of Romanian descent and centerpiece werewolf. She meets graphic novelist Aiden (Hugh Dancy) in Bucharest, and there is immediate attraction, but alas, Aiden is nothing but human "meat". Gabriel (Olivier Martinez) is the head of the pack and cuts a lithe and menacing figure as he rails against the injustices meted out to the noble shape-shifters for over five thousand years.

Director Katja von Garnier (Iron-Jawed Angels, Bandits) has fashioned a thoughtful meditation on the animal nature of humanity, amorality vs. a deep seated sense of righteousness and an even-handed, compassionate view of those on the societal fringe. Beautiful Romanian location photography adds gothic depth and atmosphere to the action sequences of roving packs of young men and women who effortlessly morph into ravenous wolves.

Although the romantic interest angle is tried and true formula, not much else is in this surprisingly lyrical mood piece. Bruckner and Martinez stand out as their wills and visions clash as to the future of the society of wolves. Holding the key to their destinies, Dancy projects both bewilderment and steely determination in a solid supporting role. Not to be sidelined, the wolf- wrangling is truly superb. Tight closeups of snarling muzzles and amazing fight sequences highlight this original take on a tired genre.