The Talented Mr. Ripley

REVIEW
Recalling the visual splendor and fervent characterizations of his award-winning The English Patient, director Minghella's succulent dramatic thriller is one of the best Alfred Hitchcock films not made by the Master of Suspense. Based on the novel by Patricia Highsmith (whose "Strangers on a Train" was adapted by Hitchcock), and filmed once before in 1960 as Purple Noon, this devious exercise in deception is a twisted little tale much like its young hero -- handsome trappings masking more sinister intent. All pouty and lean, Damon is excellent as Tom Ripley, a sociopath only by necessity who accepts a job from a shipping magnate to try to convince his wastrel son Dickie, who is living it up in Italy, to return to the States. Once there, Tom is enamored not only by Dickie's way of life but by Dickie as well. But accidents do happen, and soon Tom finds himself spiraling down an egregious path with no salvation. Minghella, who also wrote the smart screenplay, doesn't see Tom as a monster, but rather as an opportunist prepared to do what needs to be done. And that he is so sympathetic through most of this is testament to Damon's nearly tortured, galvanizing portrayal. Giving a dazzling performance which should cement him as a leading man, Law exudes sensuality and charm, leaving little doubt as to why Tom's senses would be impaired.